lithograph & screenprint
An original hand-signed Frank Stella lithograph & screenprint.
Original lithograph and screenprint in colors from 31 runs from 26 aluminum plates and 1 screen on 320 gram Arches Cover paper
Hand-signed and dated in pencil lower right F. Stella ‘82.
An artist’s proof impression of the definitive state, apart from the numbered edition of 100, one of only 20 such artist’s proofs, annotated in pencil lower also lower right (there were 11 additional proofs of various types, for an overall edition of 131). One of nine plates from the series Shards. Published by Petersburg Press, New York; printed by John Hutcheson, James Welty, Spencer Tomkins and Norman Lassiter.
Catalog: Axsom 147.
39 ¾ x 45 ¼ inches
Shards, comprising five lithographs on screenprinted paper and four variants, is the second series related to the Circuits paintings of 1981. It was the last project Stella undertook with Pittsburg Press. The Shards Series of paintings (1982-83) was fashioned, in large part, from leftover elements from the Circuits paintings and prints. The word “shards” usually associated with fragments of broken earthenware, here suggests Stella’s use of discarded scrap material, a method of working that would become increasingly to define his practice as an artist.
Although the Shards and Circuits prints relate to the same painting series, the effects they achieve could hardly be more different. In Shards, the staccato rhythms of floating abstract shapes recall Wassily Kandinsky’s and Joan Miró’s biomorphic surrealism of the 1930’s. With a similar expressiveness, Stella’s series is both jazzy and whimsical.